Tia Tempero (who studies with me at Guitars, Etc) killing it at Erie Idol. The song is her original, “Speedway”.
New Release: Thoughtful Departure by Graphite Addiction
Also Available From: Amazon | Catapult
Thoughtful Departure at Curious Automata
Graphite has a new album! On February 15th, 2020 we went into the studio to finish recording last year’s Grateful Destination. At the end of that session, we played this improvisation. It’s the last 45 minutes of the last time we were able to play together before COVID shut everything down. It’s also the last recording made at Aspen Street, since Pete has since retired to the greener fields of Michigan.
Check it out on the music service of your choosing and enjoy grooving with us one more time!
Fender Mustang GT40 Signal Cut Fix
I love my Fender Mustang GT40 except for its odd habit of sometimes acting like a noise gate in reverse, cutting my playing and turning up noise. It drove me nuts until I stumbled on the solution: just strum like mad and it figures it out.
New Release: Other Analogues
2020 has made me nostalgic for simpler times, so I used my ample free time to record an all electric improvisation in the spirit of 2014’s Analogues of Infinity.
Really, this was an excuse to play with the Electro-Harmonix Grand Canyon delay. Each track is an improvisation through one of its different delay modes. No real looping on this, but I did record the looper in the same session. The result of that is on Phantom Canyon.
Also, please remind me to never release an album on election day again.
Warbly Noodle Session by Richard Ellis
Richard Ellis’ excellent new album Warbly Noodle Session is out today. It’s an improvised masterclass in tasteful use of the whammy bar which he graciously allowed me to produce.
Check it out at Bandcamp or the streaming site of your choice.
New Release: Phantom Canyon (Single, Curious Automata)
Here’s another single, this time an improvisation with looping. I was programming presets in my Electro-Harmonix Grand Canyon delay pedal and took a few minutes to just play.
New Release: After Disobedience (Single)
This is an odd one…
An instrumental musing on the affect of mediation on rules.
This piece is divided into 5 major sections:
Structure (0:00)
The piece introduces its harmonic structure, first with a drone, then adding a synth pattern (0:15), and finally add chords on electric piano (0:31).
Stumbling (0:46)
The guitar enters, trying but failing to play the pattern. The electric piano responds to failure by skipping chords in an attempt to remain consonant.
Testing Edges (1:18)
The guitar attempts to solo on a very fast and difficult series of chords, failing yet again. The electric piano now highlights the guitar’s mistakes by shifting chords by a half step, increasing dissonance.
Breaking Free (1:53)
The guitar now solos on a ten-tone scale, avoiding only the most “out” dissonances. The electric piano doggedly plays along with the synth’s pattern, abandoning any interaction with the guitar.
New Consonance (2:21 to the end)
The electric piano shifts to a series of chords designed to allow for a (relatively) high degree of consonance between the pattern and any note on the guitar. The guitar now solos freely until the end of the piece.
It’s worth mentioning that the “Stumbling” section nearly broke me. I wrote it to be misplayed, avoided practicing it, and set the music on a stand several feet away, all in the hope of increasing errors. It worked. And I got so frustrated at my playing, even though it was wrong when wrong was intentional, that I had to take a break and come back to it another day.
The Bandcamp download includes backing tracks and a leadsheet should you wish to annoy yourself playing wrong rightly. Or practice and play right wrongly.
Also, the title is because I sketched out the piece after watching the movie “Disobedience”.
New Album: Grateful Destination by Graphite Addiction
15 years ago today Tim Carmichael, Pete Ehrmann, and I jammed together for the first time. Today, we’re releasing our 5th album.
We had planned to spend early 2020 recording a collection of originals, improvisations, and a standard or two. Obviously, plans changed. But, as Tim says in the liner notes, “In crazy times we all have to be like Jazz: learn to listen and improvise”. So here’s our album, improvised in it’s production as much as its performance.
About The Tunes
Tracks 1-3 are fully improvised jams. We recorded these on February 14th of this year with no charts, no idea what we’d play, just a lot of listening.
- Pete kicks things off with Groove EZ We Do. He’s been on hand percussion for most Graphite albums, so getting to hear him back on kit is a treat.
- If there is a best recorded example of what we do, it’s Conversations. Tim and I trade questions, answers, and punchlines while Pete lays down an unyielding groove.
- Traffic Saturation is a musical ode to commuting.
Tracks 4-7 are a few of the orignals we had planned. These are from our initial session in November of 2019.
- Message for Becky is Pete Ehrmann’s composition. Written for his wife, it’s been one of my favorite tunes to play for years.
- Mental Morphology started out as a odd funk groove I wrote one day while teaching. Pete decided to play it as a fast swing and Tim retitled it. Both things improved it immensely.
- Years ago, I stopped at Mike O’Shay’s in Longmont for a late-night dinner. Sitting at the bar was Eddie. He told a tipsy tale of catching a penguin (it was an emperor penguin!) at the St. Louis zoo. Penguin Eddie is an attempt to capture his masterful speaking cadence in musical form.
- And we’ll close this chapter of our musical journey with Tim’s Future Meetings, in hopes of seeing you again soon.
If you dig what you hear, check us out on the streaming service of your choice. Or, if you’re truly old school, you can buy our CDs on Amazon.
Thanks for listening,
-Vic