Curious Automata label-mate Kosnoco returns with yet another genre-defying release. It’s kinda idm, kinda djent, kinda an indescribable mashup of styles that makes you both confused and dance-y.
I dig it, you have to hear it.
Tag: New Releases
New Album: Six After Ten
September 26th, 2024 was the 10th anniversary of my lesson studio at Boomer Music Company in Fort Collins. To mark the occasion, I recorded this improvisation that week in my lesson room on my usual teaching gear: workhorse instruments, practice amps, and a recording app on my business phone.
The two sessions have been edited slightly for time and there’s some studio reverb added for depth, otherwise it’s an accurate documentation of my typical noodlings while waiting to teach.
Give it a listen on CD or the music service of your choice, and thanks for listening.
-Vic
New Release: Music for Poochy Patrol
“Music for Poochy Patrol”, the 3rd installment in my trilogy of instrumental guitar albums, is out today! I play or program every instrument myself, and this time I even had to sing a few tunes.
I started writing, arranging, and tracking an album titled “Music for Poochy Patrol” in early 2019. I planned for it to be a set of original instrumentals featuring some of my favorite musicians. And I was going to use my favorite photo of my dogs Rockett and Charlie (aka Poochy Patrol) on the cover. COVID changed those plans a bit. I instead played or programmed every instrument myself. Then, when Rockett died that November, I decided to instead dedicate the album to him and it became 2021’s “Music to Squeak By”. I still had unrecorded charts, and Charlie needed a cover spot, so 2022 saw “Music for Chasing Squirrels”. This album collects the last of the tunes so it’s finally time to use the original title and cover photo.
Since the start, I’ve watched Poochy Patrol and myself change. Rockett and Charlie made a host of new friends, some of whom are pictured on the back cover. I’ve made new friends as well, playing with a host of new musicians in new venues. So this project, instead of collecting the past, is about the future. There will always be new tunes to play, new places to see, and a host of friends to meet along the way.
Hope to see you along that path soon, and, as always, thanks for listening.
-Vic Dillahay
“After Disobedience”: Remastered and Available Everywhere
The formerly Bandcamp exclusive single “After Disobedience” is exclusive no more! It’s now streaming and available for purchase on almost all digital music services (sorry qobuz listeners). I’ve also added the much prettier new master to the original album on Bandcamp, just to not leave out the hip folks.
Check it out, maybe follow along with the score, and thanks for listening.
Ellis Island Day Samper 2023
Here’s a smattering of tracks from Curious Automata’s 2023 releases, including “Somewhere They’ll Find Our Pieces” off my album “What Was”. Richard Ellis has the other 5 tracks… that dude was busy.
Extrapolations on a Familiar Theme by Ellis/Carrillo/Crews (Produced by Vic)
Disaster Squad’s jam is finally fully released. 20 years ago, in pre-Katrina New Orleans, guitarist Richard Ellis, percussionist Louis Carrillo, and bassist Kendal Crews met to run some tunes. Richard was hoping to start a band balancing covers with long improvisations. They played “Strange Brew”, then jammed for hours, filling 5 cassettes. The sound was there, they just needed to refine it and gig. Then came Katrina. Homes were destroyed, clubs closed, and Richard moved to Colorado.
But we have these remarkable tapes. And you can now hear the tune that started the jam, their cover of “Strange Brew”, and wonder what might have been.
“Disaster Sessions” by Richard Ellis (Curious Automata, 2023)
CDs: Code One | Code Two | Code Four | Code Seven
I believe music is good. Good when it’s grandpa’s fiddle on the porch, when it’s jazz with cocktails, when it’s pop blasted to the earbuds of a few million teenagers, and when it’s a local orchestra sawing away on tunes by 19th century composers whose names start with B. Music to distract, accompany a meal, or draw attention to oneself is still often better than silence.
But I think music is best when it is not made for the listeners pleasure or bent to the makers’ ideals, when it stands by itself, when it is made by those in service to the sound who make music because the music must be. I’ve seen a few great players who live in that space but it seems exceedingly rare in my own music making. Occasionally, I’ve had moments at gigs or recording sessions where we truly served the song but more often those come in rehearsals. We spark fire when least expected, then play its memory at the show.
So the music on this collection is special. Guitarist Richard Ellis, percussionist Louis Carrillo, and bassist Kendal Crews didn’t set out to make anything special on September 19th, 2003. They were just jamming on tune at their rehearsal space in New Orleans when they found a trancendent groove. They stayed there for hours-even Kendal leaving for an appointment then returning didn’t break the spell. It’s the kind of one-in-a-million collective improvisation that is almost always lost to the moment. But Richard happened to be taping it, just for future reference.
These are a few of those tapes. You should listen to them. They’re up on all streaming services, too.
The CDs for this release are also the 39th, 40th, 41st, and 42nd released by Curious Automata. 42: the answer to the question of life, the universe, and everything in Douglas Adams’ Hitchhiker’s Guide. I can think of no better way to hit that milestone than with this project.
CDs: Code One | Code Two | Code Four | Code Seven
New Release: What Was (Curious Automata, 2023)
With the 10th anniversary of Curious Automata coming up in March of this year, I think it’s time to clear out the archives a bit. This album is a collection of misfits whose tone didn’t match the projects for which they were intended. Also, in the spirit of moving on, all the tracks on this album are released under a Creative Commons Attribution license so anyone can use them as they see fit.
“Broken Tree” was improvised after my favorite shade tree was split in a late spring storm in 2017. It was previously released as a rough cut for my Bandcamp subscribers but it’s much prettier and has been edited for time here. I think it still captures my mood as I waited to see if the tree survived, though.
Tracks 2-12 were all recorded during the two sessions for 2018’s “We Were”. Those were during the end of my marriage, so they were a bit of an art therapy project as I went through a divorce. I wrote a list of things to remember, then improvised around each idea. For the original album, I decided to lean toward the positive tracks, so the remaining ones here have a bit darker tilt.
I hope you enjoy these moody leftovers, and thanks for listening.
-Vic Dillahay, Guitarist