Description:
60hz hum and it’s first 15 overtones are played back and the piece is realized through manipulation of the overtone levels.
Hardware:
16 channel playback with 16 automated faders.
Notes:
The very first Outis piece. Since it involved constant audio-engineer-infuriating 60hz hum through the studio’s mains, I thought I should use a pseudonym for the project. The Outis moniker comes from Homer’s Odyssey, but I borrowed it from the respondent to Edgar Allan Poe’s critisism of Longfellow. That Outis may have been Poe debating himself, which makes the name all the more apt.
Copyright:
Copyright 1999 by Victor Dillahay, All Rights Reserved