CDs: Code One | Code Two | Code Four | Code Seven
I believe music is good. Good when it’s grandpa’s fiddle on the porch, when it’s jazz with cocktails, when it’s pop blasted to the earbuds of a few million teenagers, and when it’s a local orchestra sawing away on tunes by 19th century composers whose names start with B. Music to distract, accompany a meal, or draw attention to oneself is still often better than silence.
But I think music is best when it is not made for the listeners pleasure or bent to the makers’ ideals, when it stands by itself, when it is made by those in service to the sound who make music because the music must be. I’ve seen a few great players who live in that space but it seems exceedingly rare in my own music making. Occasionally, I’ve had moments at gigs or recording sessions where we truly served the song but more often those come in rehearsals. We spark fire when least expected, then play its memory at the show.
So the music on this collection is special. Guitarist Richard Ellis, percussionist Louis Carrillo, and bassist Kendal Crews didn’t set out to make anything special on September 19th, 2003. They were just jamming on tune at their rehearsal space in New Orleans when they found a trancendent groove. They stayed there for hours-even Kendal leaving for an appointment then returning didn’t break the spell. It’s the kind of one-in-a-million collective improvisation that is almost always lost to the moment. But Richard happened to be taping it, just for future reference.
These are a few of those tapes. You should listen to them. They’re up on all streaming services, too.
The CDs for this release are also the 39th, 40th, 41st, and 42nd released by Curious Automata. 42: the answer to the question of life, the universe, and everything in Douglas Adams’ Hitchhiker’s Guide. I can think of no better way to hit that milestone than with this project.
CDs: Code One | Code Two | Code Four | Code Seven
