Play along with the entire “Music for Poochy Patrol” album with backing tracks made from the original tracks and charts for C, B-flat, E-flat, F, and bass clef instruments.
Download for free (or name your price) at Bandcamp!
Play along with the entire “Music for Poochy Patrol” album with backing tracks made from the original tracks and charts for C, B-flat, E-flat, F, and bass clef instruments.
Download for free (or name your price) at Bandcamp!
You can now play along with “Music to Squeak By” for free! This Bandcamp-exclusive album includes backing tracks made from the original recordings along with pdf leadsheets for concert, B-flat, E-flat, and bass clef instruments.
Download it today for whatever price you choose.
For a limited time, you can play along with every song on “Music for Chasing Squirrels” for the low, low price of nothing. This Bandcamp-exclusive album includes backing tracks and pdf leadsheets for concert, B-flat, E-flat, and bass clef instruments.
Download it today for free or whatever price you choose.
This is an odd one…
An instrumental musing on the affect of mediation on rules.
This piece is divided into 5 major sections:
Structure (0:00)
The piece introduces its harmonic structure, first with a drone, then adding a synth pattern (0:15), and finally add chords on electric piano (0:31).
Stumbling (0:46)
The guitar enters, trying but failing to play the pattern. The electric piano responds to failure by skipping chords in an attempt to remain consonant.
Testing Edges (1:18)
The guitar attempts to solo on a very fast and difficult series of chords, failing yet again. The electric piano now highlights the guitar’s mistakes by shifting chords by a half step, increasing dissonance.
Breaking Free (1:53)
The guitar now solos on a ten-tone scale, avoiding only the most “out” dissonances. The electric piano doggedly plays along with the synth’s pattern, abandoning any interaction with the guitar.
New Consonance (2:21 to the end)
The electric piano shifts to a series of chords designed to allow for a (relatively) high degree of consonance between the pattern and any note on the guitar. The guitar now solos freely until the end of the piece.
It’s worth mentioning that the “Stumbling” section nearly broke me. I wrote it to be misplayed, avoided practicing it, and set the music on a stand several feet away, all in the hope of increasing errors. It worked. And I got so frustrated at my playing, even though it was wrong when wrong was intentional, that I had to take a break and come back to it another day.
The Bandcamp download includes backing tracks and a leadsheet should you wish to annoy yourself playing wrong rightly. Or practice and play right wrongly.
Also, the title is because I sketched out the piece after watching the movie “Disobedience”.
I’m really enjoying playing over the 4 rhythm guitar backing tracks Jonathan Stout posted at the Swing Guitar Blog. It’s a nice change to have a true swing feeling on these songs, as opposed to the more modern jazz of typical play-alongs. Read more →
Here’s a Chordbot file from guitarist Richard Ellis for a 12 bar blues in harmonic minor. 12-bar-blues-(harmonic-minor) (Chordbot) 12-bar-blues-(harmonic-minor) (MIDI) Read more →
Here’s a Chordbot file for the first harmonic move in the tune Giant Steps. 1st move in Giant Steps (Chordbot) 1st Move in Giant Steps (MIDI) Read more →
Here’s a Chordbot file for the bridge section of rhythm changes. This is just the B section, the full set of changes is here. Rhythm Changes Bridge (Chordbot) Rhythm Changes Bridge (MIDI) Read more →